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It was a little scary not having a storyboard or any real plan to guide the finished film, but I had a good feeling that David’s score would provide the structure we needed. I talked to sound designer and composer David Kamp about the possibility of doing a modular score that could match up to any randomly cued animations in an infinite loop.īut to keep things simple, we settled on the idea of doing a 2-minute score with 4-second intervals (David’s suggestion) that we could time the scenes to. KD We knew from the beginning that this was leading to some type of animation, but it wasn’t clear what shape that animation would take.Īt first, I wanted the animated scenes to play in a random sequence in some kind of interactive exhibit. A few of these scenes ended up being cut or changed into other things.' Kevin Dart These made me feel like science was the key to the future, and allowed my speculative mind to go wild. That’s what we tried to recreate with our film. They had a real impact on my imagination as a kid. Some of them had very strong visual openings paired with very specific sounds and music.

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I’m pretty nostalgic of this era when TV networks were really excited and adventurous in promoting science shows. Being myself a science fan, it was pretty easy to jump on board. Watching programs on TV that were using an artist’s vision to support their educational speech. Stéphane Coëdel It’s been a while that Kevin has been telling me about his intention to make a piece on science and nature that would contribute to educating the younger generation and stimulate their curiosity for understanding how the world around them works, and would bring back memories and feelings that the older generation might have had growing up in an era of scientific innovation. 'Some early mood sketches I had done while thinking about the idea of a science film.' Kevin Dart So if you just look at the world around you, you can see the science in action everywhere. There was also an idea I was thinking about for a long time about how science and nature can’t really be separated from each other: science is all based on observations of things in nature. We wanted to make something that would evoke those same kind of feelings when you watched it - a sense of awe and inspiration at the beauty of our world as well as mankind’s incredible scientific achievements. Kevin Dart The genesis of this idea is just a feeling of wonder that a lot of us remember from childhood visits to the science museum or from sitting in a classroom watching the space shuttle launch. Where did the idea for this film come from? Making “Forms in Nature” with Chromosphere and David Kamp In a very special case study for Motionographer, Chromosphere, the collective behind the project, and David Kamp, one of motion design’s most prolific sound designer/composers, shared all the details behind making the project. It’s the sort of film you can watch again and again, unearthing new layers of beauty with each viewing. Projects like “Forms in Nature” don’t come around very often.Ĭrafted with an unusual degree of care for getting the details right, the short film celebrates science and nature via geometrically constrained vignettes of animals, technology and natural phenomena. This indicates that this time the air alarm should not be ignored.“Forms in Nature,” in-depth process with Chromosphere and David Kamp

She runs to the basement and meows loudly. My neighbour’s cat, Melania, senses when a rocket flies in the direction of our city. A friend is forced to leave her pet in the apartment and run to the storage room alone. My friend’s dog hides far under the bed every time he hears the sound of a siren. People are forced to enter bomb shelters. Air raid alarms are often heard in Ukraine. But the thought of sudden danger and urgent evacuation holds us back. It was difficult for people to find shelter, feed themselves and their children. She was amazed by the huge number of animals that Ukrainians brought to the Warsaw railway station and the temporary animal shelter. My friend Tatiana emigrated to Poland in the first days of the war. Most hotels and hostels did not allow pets. When I left Ukraine with my children and friends in March 2022, there were four dogs in my car - three Spitz and one Maltese.

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